2003’s cult classic, “The Room”, is one of those films. From its non sequiturs, plot holes, inconsistent characterizations, questionable editing, lackadaisical acting, and just terrible cinematography, “The Room” epitomizes silver screen irony.
The film has sold out crowds over the past decade, with movie goers quoting the films hilarious dialogue and dressing up as the main characters. It’s a great spectacle, and a testament to the effect the film has on people.
Now, in an interesting case of movie-ception, comedy duo James Franco and Seth Rogen have been producing a movie about the making of “The Room”. The film, which is based on the memoir “The Disaster Artist” written by Greg Sestero, one of “The Room’s” lead, will explore the unique friendship between Tommy Wisseau and Sestero. The two men will be played by James Franco, and his brother Dave Franco, with Seth Rogen playing the role of one of the movies directors. The film will also star Alyson Brie, Bryan Cranston, and Zac Efron.
“The Masterpiece”, as the movie will be known, will be released in the fall of 2016. Until then, enjoy one of the most famous scenes from the 2003 classic.
After the death of Don Lafontaine, and the gradual moving away from cheesiness to grittiness, “In a World” was soon replaced by the blaring “bwong” from Han’s Zimmer’s theme, “The Dream is Collapsing” for the Inception soundtrack. Movie Trailers today aren’t accompanied by voice overs (they’re used every now and again), instead they typically use booming percussion that has been popularized by Zimmer’s distinct electronic trumpet sound.
Perhaps second only to the living legend John Williams, Hans Zimmer is one of the greatest movie composers alive today. He’s composed the music for The Lion King, The Dark Knight Trilogy, and Gladiator. His themes are enthralling and infectious, and have found there way into movie trailers.
While 90’s and early 2000’s movie trailers were more so extensions of the movie they were advertising, modern day movie trailers are almost there own separate event. They are heavily stylized, with some of the best clips tied together in a greatly edited, grand package. The movie trailer industry has become a multi-million dollar sensation. Compare and contrast the original trailer for The Lion King from 1993, and a modern day recut.
The circle of life is perhaps the most powerful scene from The Lion King. The song represented the peak of the Disney Renaissance in many ways. The sheer depth and scope that was put in every frame of animation can be seen. Across the past two decades, The Lion King has aged incredibly well, with 3D re-releases bringing new scale to the movie, and a Blue-ray edition that has been fantastic for home movie viewing.
“There are few movies that open with goosebumps. The first scene of The Lion King is one of them though. The scene is effective and clear, telling a small story in of itself as well as setting the tone and foundation for the rest of the movie.”
Written and composed by Tim Rice and Elton, The Circle of Life won the Grammy award in 1994.
The movie trailer world was changed. After decades of experimentation. Don Lafontaine came onto the scene. Just watch the video below.
Armed with a voice that some dubbed “The Voice of God”, Don Lafontaine was the king of the voice over world. At his prime, Lafontaine would record sometimes up to 60 promos a week. In 90s American Entertainment, a culture that prided itself on quick and snappy entertainment, “In a World…” was the perfect stage setter. Lafontaine continued to do national, and well known work until his death in 2008.
“We have to very rapidly establish the world we are transporting them to. That’s very easily done by saying, “In a world where…” You very rapidly set the scene.”
Americans no longer wanted fluffy, flowery language in there movie trailers. Adults and Teenagers wanted action, drama and heart pumping suspense. Kids wanted cheesiness to the absolute max.
It wasn’t just Lafontaine who dominated this era. Hal Douglas, WW II Veteran and Golden Age Radio Star, also championed the iconic, “In a World.” There is dispute over who, or what company actually first coined the phrase, but it was Lafontaine and Douglas who made the phrase an industry standard. Douglas maintained a strong presence in the voice over industry, recording from his personal studio in Virginia, until his death at the age of 89 in 2014.
You didn’t need a resonant baritone to win over audiences however. Mark Elliot, the voice of Walt Disney Home VHS Collection promos was known for his welcoming, cheerful, mid timbered voice. His “Coming Soon to Theaters!”, or “And Now, Our Feature Presentation” gave home movie watching a bigger, theatre-like feel. Elliot is still doing work for Disney, and other entertainment companies today.
Disney’s live-action remake of their 1967 classic, “The Jungle Book” opens today in theaters. It’s already garnered a significant amount of praise, and acclaim. Interestingly, Warner Bros. has announced they’ve changed the name of their upcoming film, “Jungle Book: Origins” to just the “Jungle Book.”
Rudyard Kipling’s “The Jungle Book” is a rich series of novels with many characters that have been portrayed in many different adaptations over the years. Movies, Books, Graphic novels, and radio plays have all shown the characters in great and unique ways. However, the most famous adaptation that has emerged is Walt Disney’s “The Jungle Book.” While the original Disney film bares very little resemblances to the works they’re adapted from (Walt Disney flat-out told the team making the movie to not read them), it offered a very unique and family friendly spin on the story. Today, many people associate “The Jungle Book” with the Disney film, not the series of novels that inspired it.
This new remake by Disney is updating all the classic songs, and contains some very impressive CGI. Weta Digital, the special effects team behind James Cameron’s Avatar, and The Planet of the Apes series, brings the Jungle to life. Despite it’s photorealistic special effects, the entire film was recorded in a soundstage in Los Angeles. The voice actors as well recorded there lines in a recording studio. All the effects, and ambience come from prerecorded tracks and computer effects. Newcomer Neel Sethi shines as protagonist Mowgli, and boasts an even more impressive A-List cast of Bill Murray, Scarlet Johannsen, Christopher Walken, Ben Kingsley, Lupit Nyongo, Idris Elba and others.
Director Andy Serkis and Warner Bros. are creating their own adaption of the Jungle Book, which was originally titled “Jungle Book: Origins.” Now, it is simply “The Jungle Book.” This adaptation promises to be a much more truer adaptation of the works by Rudyard Kipling. No singing vultures, no super bright colors, it’s the gritty and faithful thing. The movie will incorporate motion capture, and if there’s any indication of Andy Serkis’s success with motion capture films with animal characters, this adaptation will be phenomenal.
Serkis himself will portray Baloo the Bear, as well with fellow A-listers Benedict Cumberpatch, Cate Blanchett and Christian Bale. Cumberpatch, and Blanchett have both worked previously with Serkis in the Lord of the Rings, and The Hobbit
So why drop the “Origins”? Many different media outlets have been quick to point out that this name change adds confusion to the already existing film by Disney. Indeed it does. Having both movies sharing the same name is incredibly confusing. However, does that mean that the change isn’t necessary in a way?
A sequel has already been announced for Disney’s 2016 remake, and so Warner Bros. has most likely changed name to ideally avoid any narrative confusion with Disney’s brand. With Andy Serkis’s Imaginarium Productions attached to project, as well as the acclaimed talent in Bale, Blanchett and Cumberpatch, there’s no doubt in anyones mind that this film won’t be great. The “Origins” might imply that the film is a prequel, or an “origin” story to the Disney film. No matter what way the decision cut, it’s an unfortunate one for Warner Bros. who have to compete with giant that Disney is marching forward with.
“The dignity of Atticus Finch. The purity of his motivations are what I was so impressed by.”
Growing up in Massachusetts, I’ve always enjoyed a great novel. Perhaps the only thing I enjoyed more, was a film that did the novel justice. A movie can easily ruin the story of the original book, but every now and then, a jem shines through. Nowadays it seems, we are hard pressed to find a true and noble hero in cinema. Dark, reboots of classic films permeate the showtimes. The old guard of charming, radiating heroes are gone, or have been updated to be more marketable to a more diverse, complex, and gritty generation. Superman now snaps necks, Luke Skywalker is now a recluse in the galaxy, and Han Solo is dead.
But there’s one cinematic hero who has stowed the test of generations and has maintained his symbol as a beacon for justice, fairness and respect…Atticus Finch.
Portrayed by Gregory Peck in an Academy Award Winning performance in the 1962 film, To Kill a Mockingbird, Atticus Finch is a lawyer in southern town of Maycomb, Alabama. He is the single father of protagonist Jean “Scout” Louise, and her brother Jem. Atticus is the only lawyer in town willing to defend Tom Robinson, a black man convicted of sexually assaulting a white woman. Throughout the movie, Atticus teaches his children valuable life lessons, all the while building a defense for a man who no one else will defend.
Atticus’s appeal to the jury in his closing statement is widely considered to be one of the best courtroom scenes in cinematic history, and the most iconic from the actual film. The tragedy of the story is the fact that Atticus Finch, and Tom Robinson lose the case. It ultimately leads to the death of Tom Robinson, and embitters Atticus’s children to a degree. But he tells them to keep believing in humanity, and eventually, good things will happen. He ends the movie reading a story to his children.
Atticus’s heroics come from the fact that he is unflinchingly noble and altruistic in the face of racism, ignorance, and fear. He is stoic, and reasonable in every action he pursues, never once believing he is doing anything wrong. Despite all of this, he treats even his detractors with respect and understanding, refusing to attack a man who spits in his face. He is immune to the racism of the town, viewing Tom Robinson as any other client with the constitutional right to be defended. He only ever brings up race when its to make a point to his children, or to highlight the absurdity of the situation to the Maycomb courtroom.
Even with his pacifism, Atticus is revealed to be one of the best shots in the county, as he is called to euthanize a dog with rabies by the sheriff from a safe distance so it doesn’t harm any one. Important to note, he does this with great reluctance as he doesn’t like shooting guns. His skilled shot with a gun earns Atticus a condescending respect from even the most racist, and ignorant citizens of Maycomb.
It’s because of all this that Atticus Finch was listed #1 as the best hero in all cinema by the American Film Institute. He continues to be a revered symbol for justice even today, and even the most jaded high schoolers concede that he is the one of the best heroes of fiction. While Atticus’s reputation took a small hit with the 2015 release of the sequel novel, Go Set a Watchman, it does very little to detract from what Atticus did and stood for in To Kill a Mockingbird. Both on the screen, and off.
After years of evolution, and change, the Movie Trailer has become an event in itself. The hype for some blockbuster trailers almost even rivals that of the movie it is advertising. In this part one of “Silver Screen Study’s” multi post story, we dive into the advent of the movie trailer, and its evolution into what it is today.
There were no movie trailers for silent films. At least, they weren’t as prevalent as they were today. The advertisement for silent films instead relied on tinted lantern posts, and posters to rely on advertisement for their films. “Word-of-mouth”, the spreading of information about a film based on person to person conversation was also key. There was no showing up to the theatre 15 minutes early to get a sneak peek for an upcoming blockbuster. Just images and the generosity of your fellow-man.
But once the talkies began, studios and film editing visionaries foresaw a new opportunity to flex the muscle of the new and expansive technology. A new way to “show” the movie, without actually showing it.
The movie trailer was born.
The first movie trailer was shown in 1913 for the film The Pleasure Seekers, and debuted at the Marcus Lowe theatre chain. The trailer was met with praise, with one critic calling it a “new and pleasurable stunt.” It inspired many theaters and upcoming film makers to adopt the practice.
The term “trailer” comes from the fact that the first previews were shown at the end of the feature. They “trailed after” the movie. This didn’t last long, as many customers missed the trailer after the movie. Never the less the name stuck and movie previews were now known as “trailers.”
This first era of movie trailers is what I’ll call “The Big Block” Era. These early trailers relied heavily on advertising the stars, often times A-listers from the Silent Films, in big white letters. In this era of letters and happy-go-lucky musical arrangements, a simple tagline would be used to introduce the movie’s storyline, and then would dive straight into the actors and the movie title.
The above trailer for 1952’s “Singing in the Rain” is a perfect example of a trailer from the Big Block Era. Big letters, the key piece from the movie, and heavily advertising the films top billed lead, Gene Kelly.
This trend would continue, with some differing styles over the decades, until the late 80’s. Then one day, a man named Don Lafontaine walked into a recording booth in Los Angeles.
Starting next Tuesday, a new weekly feature article is coming to “Silver Screen Studies.”
In what I’ll be calling “Legacy Tuesday”, we’ll be taking a character from the American Film Institutes Top 100 Movie Heroes and Villains, and discussing the impact they had on film and their cultural relevance today. In addition to the AFI, we’ll also be taking iconic characters that got their start on the silver screen such as Mickey Mouse and give them the reverence they deserve.
Who is the greatest movie hero? Who is the greatest villain? What exactly was the “Disney Renaissance”? And just how did a shark scared an entire generation of people out of the water in 1976?
All will be answered in “Legacy Tuesday.”
Who will be the first legend discussed? The actor who played this character won the academy award in 1963 for Best Actor.